Experimental World Indie Rock Band HuDost’s Secret Weapon Against ‘Boring’ Music

Experimental World Indie Rock Band HuDost’s Secret Weapon Against ‘Boring’ Music (Originally published here: http://shutter16.com/wp/2012/04/21/experimental-world-indie-rock-band-hudosts-secret-weapon-against-boring-music/) Published Saturday, April 21, 2012 By amanda_caines. Under Editor : Amanda Caines, Photographer: Meredith Jones, Photos, Show Review, The Evening Muse, Uncategorized, Writer: Amanda Caines Tags: Alternative, Bouzouki, Creative Loafing, Dixie Chicks, Experimental, Harmonium, HuDost, indie, Jeff Hahne, Macedonia, Off the Record, Sarah MacLachlan, Shahi-Baaja, They Might Be Giants, unusual instruments, World Music HuDost at The Evening Muse, April 18, 2012 Musical creativity of bands like HuDost gives me faith in the future of music. I had the pleasure of taking in a set of theirs in “duo” format, consisting of lead vocalist/harmonium player Moksha Sommer and guitarist Jemal Wade Hines, while they answered some “Off the Record” questions from Jeff Hahne of Creative Loafing notoriety. While their set was much more mellow and tame than those I had seen before, the abbreviated ensemble of HuDost delivered it with masterful prowess and emotion. Presenting themselves as an “Experimental Indie World Rock” band, HuDost pushes the boundaries of sound with east-meets-west fusions and then settles right back down with a good ol’ American pop-style tune. Being all over the map is what makes a HuDost show or record an engaging journey for the listener. The “Off the Record” crowd’s journey began with “Hunger,” with an intro adapted from a traditional Georgian healing song sung to infants leading into a psychedelic, almost new-age-sounding tune, with sweet vocals floating on a sea of e-bowed Takamine 12-string and the unusual punctuations of Shahi-Baaja. For those furrowing their brows in confusion at the mention of the Shahi-Baaja, singer Moksha Sommer described it as an Indian harpsichord, and she played it like a steel guitar. In the midst of the music-centered chit-chat between the band and the show’s host/emcee about how much the band enjoyed the harsh note combinations and odd time signatures in the Eastern European music that inspires them, HuDost tossed in a token pop song, “Even When,” that could have easily been mistaken for Colbie Caillat. With a backing track for rhythms and the unusual (for them) appearance of an electric PRS guitar, this straightforward little ditty presented a much more mainstream side of the band. Guitarist Jemal Wade Hines maintained the sensitivity of guitar-work on the aforementioned electric as if it were an acoustic, though, so the sound difference there was subtle—he uses his vast array of effects on his large variety of stringed instruments. Next up came a song called “Korea,” which featured a bouzouki in the hands of Hines, who used this cousin of the lute to sprinkle arpeggiated chords over Sommer’s soulful vocal sustains and the duo’s shared vocal harmonies—so beautiful. Like many of HuDost’s songs, “Arrhythmia,” which followed, found its inspiration in musings on the universal human experience—this time in the form of “loss.” At the outset, we hear the church-organ-esque sound of the harmonium— a squeezebox instrument, much like a bass accordion— and the somber, yet uplifting, chords lift the tune up to its cerebral lyrical content about the firing of neurons, the transitory nature of life, and the oneness of the human race in an “arrhythmia of souls.” Among all the songs brought to the table tonight, the duo professed that this was the newest, and I could see in their tangible excitement (and simultaneous new-song anxiety) in performing it. A funny side note from the interview portion—apparently Sommer wrote this song while driving and had to pull over to record it quickly so she wouldn’t forget it. The sequent song on the set list featured Hines on lead vocal, entitled, “All My Guitars.” Fitting, since he used three different guitars and a bouzouki throughout the set. Hines said that the main riff to the song came to him in a dream about a performance. A familiar Americana vibe, akin to something like Indigo Girls, filled the song with comfortable emotions, but I could feel something a little more creative and quirky injected into this piece—almost as if They Might Be Giants crashed a Dixie Chicks concert—as the occasional minor third found its way into the mostly major mix. The penultimate tune kept in line with the country/Americana vibe—“Waiting.” This one reminded me a lot of Sarah MacLachlan experimenting with crossover country. Once again, the vocal harmonies were the driving force behind the success of such classically simple arrangements such as this one. At this point in the concert, Sommer admitted to having been struggling with laryngitis for the past week—not that it showed in her voice at all—and gave us all a brief giggle at her mention of the microscope photos the Ear, Nose, and Throat doctor took of her vocal cords looking like pictures of a vulva. I appreciate it when musicians can share personal anecdotes; it really adds to the intimacy of a small venue performance. With that, HuDost closed out their mostly “mainstream,” 4/4-timed set with one of their more experimental pieces, “More Sokol Pie,” from one of their older albums, “Seedling,” (2006). The poem around which this song is written comes from the dying words of a Macedonian warrior. Watching only two people perform such a multi-faceting composition with that full a sound was mind-boggling. Hines’ guitar doubled as percussion, and Sommer even banged along a bit, too, while harmonium and guitar intertwined with soaring, Middle-Eastern-sounding vocals that bordered on screaming at times—a truly exhilarating spectacle to take in. I really love watching and listening to musicians like HuDost who shed the shackles of the ordinary and take the risks of the roads less traveled. Please check out HuDost’s website http://www.hudost.com, be sure to catch them the next time they come through your town, and pick up a CD if you are intrigued by what you hear.

Carowinds hires *GASP* an Original Local Artist instead of a Cover Band for VIP Media Event!

Originally Published Here: http://shutter16.com/wp/2012/04/04/carowinds-hires-gasp-an-original-local-artist-instead-of-a-cover-band-for-vip-media-event/ Published Wednesday, April 4, 2012 By amanda_caines. Under Community Corner, Editor : Amanda Caines, Local Music Scene, Photographer: Amanda Caines, Photos, preview, Show Review, Videographer: Amanda Caines, Writer: Amanda Caines Tags: Alive After Five, Amanda Caines, Bale & Smyth Company, Based on a True Story, Battle of the Bands, Bullettprooff, Butterfly Corpse, Carowinds, Carowinds Ticket Discounts, Funk Rock, Lucky Five, NF52, Spring Break, SXSW Festival, Windseeker Our friendly, neighborhood theme park is not only making history with its 301-foot, tallest-ever-built-at-the-park “Windseeker” ride, Carowinds is also breaking new ground in the Charlotte corporate world by hiring original music artist Lucky Five for its VIP media event instead of the usual cover-slinging, weekend warrior band. Amid a flurry of TV cameras, tuxedo-clad strawberries, and excited/nervous VIPs ready to soar to the top of the new tower ride, Lucky Five took the stage and provided masterful background sound to the event. Just like at most corporate events, the band members realized they were not the main attraction. Furthermore, the element of being the soundtrack to the other hubbub was magnified by the 301-foot monstrosity that is Windseeker, operating just behind them. Still, the guys thought it pretty cool to perform in a place where they’re surrounded by rollercoasters and tall, shiny towers full of screaming riders. Adding to the whimsy of the event, Lucky Five’s song “On and On” features the lyric line “It’s like a rollercoaster loving you,” which fit in perfectly with the setting of the show. The humor of this juxtaposition was not lost on the event-goers or on the band. I could see each of the band members smile as they realized the line was quite appropriate to the venue. Guitarists Shago Elizondo and Jonny Fung said they hadn’t made the connection between the lyrics and the location until they were on stage playing the song. A couple of the more attentive members of the audience had an amused smirk on their faces, too. Although it outwardly appeared that no one was listening, with the ground in front of the stage relatively void of the usual group of transfixed listeners, the guys received tons of compliments from people between sets and after the performance. The staff at Carowinds expressed their satisfaction with their choice of bands—Lucky Five blended right in with the upbeat, playful mood of the event. Even if the lack of direct attention was a significant change from the front-and-center, paparazzi onslaught that the band experienced earlier in the month at the indie rock Mecca that is the SxSW Festival in Texas, this is probably the first gig that involved a free preview of a record-breaking ride as part of the perks. Two of the guys in the band were brave enough to ride the huge tower—which they said was very cool, though they recommend waiting awhile before riding if you’ve just eaten something. Carowinds continues its support of local music with their “Live, Plugged, & Local” high school rock band competition throughout the week of Spring Break (April 2- 6) with Bale & Smyth Company, Bullettprooff, Butterfly Corpse, Based on a True Story, and NF52, in that order, performing at 3pm each day this week at the park. I’ve really got to hand it to Carowinds for recognizing that there is real songwriting talent in the Charlotte area and utilizing that talent in a corporate event setting. Hopefully other large, Charlottean businesses and corporations will follow suit (cough, cough: ALIVE AFTER FIVE, cough) and put some original artists on their event stages as well. Watch out, cover bands: we original bands you’ve been laughing at are fighting for a share of that corporate turf. More Photos: http://www.flickr.com/photos/shutter16mag/sets/72157629367063582/ Want to ride the 301-foot-tall Windseeker at Carowinds? Your best bets for cheap tickets are either buying online at www.carowinds.com or grabbing a coupon from your neighborhood Jersey Mike’s sub shop. Carowinds is open this week for spring break, and every Saturday and Sunday until it changes to daily operation the week of Memorial Day. Check out Lucky Five either on Facebook or at their website, www.luckyfiveband.com to hear some fantastic, retro-fueled funk rock—and jump on that quickly if you want to say you “knew them when…” because these guys are on the verge of joining the big leagues. Buy Lucky Five’s Albums on iTunes